Chris Sharma Does Es Pontas 5.15 Solo!
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At dawn, the sea beneath Es Pontàs looks calm, blue water laps the limestone arch as if it has no idea what it’s about to witness. But the rock knows. The arch has been waiting.
Es Pontàs rises straight out of the Mediterranean, a freestanding gate of stone carved by time and salt. From a distance it looks serene, almost fragile. Up close, it’s a challenge carved in shadows and overhangs, a line so clean and so outrageous it feels less like geology and more like intention. Twenty meters of steep, unforgiving limestone. No rope. No protection. Only water below, and commitment above.
Years before anyone touched this line, Chris Sharma was already standing at a crossroads. He’d climbed the hardest routes on the planet, changed what was possible, and then, strangely, felt empty. He stepped away. Wandered. Searched. When he arrived in Mallorca, he wasn’t hunting glory. He was looking for feeling.
Then he saw the arch.
Locals had been leaping into the sea from cliffs for years, dancing above the water on stone with nothing but gravity to catch them. Deep-water soloing was playful, wild, free. But this line, this one was different. It traced the very spine of the arch, from the shadows near the water to the highest point where sky and stone collide. Steep. Powerful. Committing. A king line.
The first attempts were brutal. The route began just meters above the water, pulling through a vicious roof that demanded absolute precision before the pump even began. Above it, the wall reared back, forcing movement after movement on pinches and pockets that seemed designed to spit you off. And then came the moment, the jump.

Seven feet. Straight out into space. Thirty-five feet above the sea.
Miss it, and you fall, not metaphorically, but fully, violently, into blue emptiness.
Sharma fell a lot.
He tried a variation first, an escape out toward the sea, and even that felt futuristic. But the true line, the line the arch demanded, cut inward, toward thinner holds, toward balance and nerve, toward the apex itself. For nearly fifty attempts, the sea caught him. Long falls. Heavy splashes. Silence afterward, floating on his back, staring up at the line that refused him.
Until one day, it didn’t.
When he stuck the dyno, time collapsed. The move didn’t guarantee success, far from it, but it unlocked the arch. Now came the traverse: insecure edges, sloping stone, feet skittering, the exposure total. The water felt farther away than ever. At the apex, the final surge demanded everything left in the body. And then, suddenly, there was nowhere higher to go.
He stood on top of the arch alone, salt in the air, heart hammering, the sea far below. Es Pontàs was free.
The climb rewrote expectations. Not just for deep-water soloing, but for climbing itself. The idea that a route this hard, this technical, this physical, could be climbed without a rope seemed almost absurd. Yet there it was, etched into the limestone above the Mediterranean, daring anyone else to try.
Years passed before anyone did.
When repeats finally came, they came with reverence. Climbers spent weeks battling not just the moves, but the mind. The dyno remained fickle, cruelly inconsistent. The traverse punished hesitation. Everyone who succeeded spoke of the same thing: this wasn’t just a climb, it was an experience. A confrontation with fear, precision, and presence. You didn’t just send Es Pontàs, you survived it.
Photos of climbers hanging beneath the arch became modern mythology: bodies suspended over endless blue, muscles locked, faces calm and terrified all at once. The image said everything. This was climbing distilled, no gear, no excuses, no margin.
Es Pontàs didn’t just elevate deep-water soloing. It gave it a soul. It proved that beauty and danger, athleticism and artistry, could exist on the same line. It showed what happens when vision meets obsession, and when someone is willing to fall again and again for a single perfect moment.
The sea is still there. The arch still stands. And when the water is calm and the light is right, Es Pontàs waits, silent, elegant, and utterly uncompromising.